broke and beautiful
poor and pretty
the only dime i have is myself
Janelle Ambrosia, 100 Richmond Ave, Buffalo, NY 14222, (716) 884-1651
she’s been doxed, spread this like wildfire
But this is the kind of shit that needs to be put to an end. Disgusting.
i dont think having her personal info out there is a good idea.
Fuck it, I’ll boost the shit. She gon’ learn today.
I could careless about this Lady who I really feel for his the kids. She looks fuckin’ unhinged. Somebody needs to call child services.
This woman is sad. I can’t even spare any harsh words because all I feel for this woman is pity. To be that hateful and unhinged is a sad sad sad way to be. I hope she learns love, though she probably won’t.
This lady is ignorant…And those kids are going to grow up with someone teaching this ignorance. Fuck that lady, I really feel for those kids.
Man this shit pisses me the fuck off
how is cooking feminine i mean it’s fuckin knives and fuckin fire and fuckin dead shit
Enham Lives and works in Ghana ( Africa )
As I grew older, I had to fulfill the dream within me which was producing art. I went to the University, studied art, got my degree and decided to have a feel of the reality on the field of practice before I plunged into a Masters of Fine Arts degree. I eventually got disappointed going in with so much energy and optimism but with no funds. But then, I had a pen and paper, a perfect media, I thought. That was how it all begun. And I am doing very well now.
There is no name for the style of drawing I do. There are a lot of lines and minute squares. I have not named my style as I will always change it, I didn’t want to keep to one confinement. It’s a freestyle.
I work in the evening, late in the night where I can draw without interruption. I can come back to a painting after a long time, unless I am commissioned to do a piece for a client. I do what I feel like doing at what time. But roughly, it takes about 3-4 days to make a piece.
Brazilian artist Henrique Oliveira (previously) recently completed work on his largest installation to date titled Transarquitetônica at Museu de Arte Contemporânea da Universidade in São Paulo. As with much of his earlier sculptural and installation work the enormous piece is built from tapumes, a kind of temporary siding made from inexpensive wood that is commonly used to obscure construction sites. Oliveira uses the repurposed wood pieces as a skin nailed to an organic framework that looks intentionally like a large root system. Because the space provided by the museum was so immense, the artist expanded the installation into a fully immersive environment where viewers are welcome to enter the artwork and explore the cavernous interior. Transarquitetônica will be on view through the end of November this year, and you can watch the video above by Crane TV to hear Oliveira discuss its creation.
me: so should we roll some blunts or somethin
white person: no its ok
white person: here hit this one it gives you a real heady high